Comparing the sources of a novel and a biography leads to the paradox that the freedom of fiction can allow a more “realistic” treatment of character than the restriction of biography to documented facts allows. The distinctions and the paradox are asserted to be less poignant and crucial in the light of David Antin’s theory of narrative and Johan Huizinga’s exploration of the play element of culture
This article investigates a theoretical problem linked to generic speculations about autobiography, ...
Husserl’s investigations on appearances and variations in the constitution of reality has led to the...
An analysis of the relationship and interactions between narrative and historiography, two literary ...
In philosophical discussions of literature, there is a great deal of discussion about what’s been te...
The conventional belief that objective truth is incompatible with bardic insight (as Andre Maurois...
[Reality and fiction in the autobiography] How does the autobiography reproduce its author’s life? ...
Biographies that openly include conjecture and speculation have attracted virulent criticism for mo...
Biographies that openly include conjecture and speculation have attracted virulent criticism for mo...
I argue that plays are just as fictional as the characters and events associated with them, since a ...
In this paper I wish to make some considerations on the now very successful genre of fictional biogr...
"Une année amoureuse" de Virginia Woolf, or Biographical Fiction Multiplied Christine Duhon's novel...
Abstract: In this article, we begin from the theoretical implications vislumbrated by J. M. Schaeffe...
The author’s aim is to reconsider the difference between fact and fiction in diachronic, comparativ...
This article is a response to Ole Martin Skilleås's "Knowledge and Imagination in Fiction and Biogra...
My novel, Fabrications, is a hybrid form combining non-fiction and fiction. This blended genre could...
This article investigates a theoretical problem linked to generic speculations about autobiography, ...
Husserl’s investigations on appearances and variations in the constitution of reality has led to the...
An analysis of the relationship and interactions between narrative and historiography, two literary ...
In philosophical discussions of literature, there is a great deal of discussion about what’s been te...
The conventional belief that objective truth is incompatible with bardic insight (as Andre Maurois...
[Reality and fiction in the autobiography] How does the autobiography reproduce its author’s life? ...
Biographies that openly include conjecture and speculation have attracted virulent criticism for mo...
Biographies that openly include conjecture and speculation have attracted virulent criticism for mo...
I argue that plays are just as fictional as the characters and events associated with them, since a ...
In this paper I wish to make some considerations on the now very successful genre of fictional biogr...
"Une année amoureuse" de Virginia Woolf, or Biographical Fiction Multiplied Christine Duhon's novel...
Abstract: In this article, we begin from the theoretical implications vislumbrated by J. M. Schaeffe...
The author’s aim is to reconsider the difference between fact and fiction in diachronic, comparativ...
This article is a response to Ole Martin Skilleås's "Knowledge and Imagination in Fiction and Biogra...
My novel, Fabrications, is a hybrid form combining non-fiction and fiction. This blended genre could...
This article investigates a theoretical problem linked to generic speculations about autobiography, ...
Husserl’s investigations on appearances and variations in the constitution of reality has led to the...
An analysis of the relationship and interactions between narrative and historiography, two literary ...